Lecture? Book It Here

 

WhatIsWhat 1.0 2003

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Topic “performance art”

MANCC Dance Residency Documentary Video

MANCC (pronounced man-see) is the only national center for choreography in the world located in a major research institution, and operates from one of the premiere dance facilities in the United States. The Center is embedded within The Florida State University School of Dance, and offers unparalleled opportunities for contemporary choreographers to hone their artistic practice and develop new work inside a creative community.

Fall Dates 2016

 

Upcoming Fall 2016 Events

Sept. 2nd, 2016 9pm Brooklyn, New York  The New York Clown Theater Festival

Sept. 10th, 2016 12 - 7 pm Philadelphia, PA Raphstravaganza: The Kinetic Experience

Sept. 24th and 25th, Oct. 1st and 2nd San Diego, California Trolley Dances

I made a Self-Contained Wearable Video-Mapped Mask

Bill Shannon, Video Wearables, Video Installation, Performance Art, Dance, Maker

ABOVE: Bill Shannon's Wearable Video Mapped Mask Photo. Garrett Jones MadMapper: Neil Henke

In depth interviews with videos and making of images linked below

ProjectionMapping.org http://projection-mapping.org/wearable-projection-mapping-mask/

Vice: The Creators Project

http://thecreatorsproject.vice.com/blog/the-wearable-projection-mapped-m...

Guardian UK http://www.theguardian.com/technology/2015/sep/10/the-man-in-the-digital...

 

 

Public Performance, Character Design 2014

Bill Shannon Dancer Maker Artist Reuse Recycle Upcycle Dream whatiswhat Performance Strategy, "Manifestation Of The Minds' Eye Imagined" #billshannon 2014 Photo by Garret Jones 2014

Bill Shannon Dancer Maker Artist Reuse Recycle Upcycle Dream whatiswhat Street Performance, Skateboarding Crutch Goofball Provocateur Character #billshannon 2014 Photo by Garret Jones 2014

Wrapped an 8 week Solo Exhibition Dec 2013 - FEB 2014

Here is a REVIEW of the full show.

BELOW: playing in the studio in the run up to the opening

"Little Friends" - Bill Shannon 2013 12guage brass plate w/patina cut and formed 3"x2"

Bill Shannon artist whatiswhat.com

MAKER DANCER: Make Video Rig. Perform. Exhibit.

This post is intended to be a roundup of recent activities and not the final word on any of the works here.

BILL SHANNON Cirque Visa RJD2 Dance Performance Art Fleetmoves

ABOVE: "Liquid Light" Site Specific Video and Performance at Long Pond, Wellfleet MA presented as a part of Fleetmoves Dance Festival 2013. photo by Whitney Brown. This work focused on the kinetic nature of the video rig and its placement in a large body of water to allow for a live birdseye view of my continuous circuitous performance in the water for the camera above. I wanted to show and perform the fluidity of my many years of swimming to the audience on the shore. The only sport of my childhood years that was medically approved. "Dancer in Chair" and new street persona after the jump.

New Work on Exhibit @ Dance New Amsterdam NYC

Bill Shannon performance art cirque du soleil varekai rjd2 work it out visa flow

Above: Used Dance Shirt. Part of showing of work at Dance New Amsterdam. Just occured to me I need a "performance artifiact" tag

Spring 2013

My plate is full this year with multiple ongoing projects. The Rex "project" mentioned below several months ago has stabilized after 6 months of staggeringly little sleep ( or awake-ness ) and I am happy to share with you that the Rexy continues to payoff in a myriad of very small beautiful ways and I am BACK!

BILL SHANNON, whatiswhat.com, disability, dance, performance art

ABOVE: Limited Edition Lithographic Print by Bill Shannon, "I Will Dance With Strangers" 2012 I have ten of these for sale.

DANCE PARADE 2012 Stills by Thos

Bill Shannon crutchmaster Skateboard Skater dancer dance parade 2012 disability

ABOVE: Custom Skateboard Paintjob @ Parade Starting Point /Photo by THOS

NYC DANCE PARADE 2012 was a fun and exhausting affair. I danced every block two or three times using my skateboard to exhibit my Step-N-Roll Flavor. I cannot really decide on how to title the form. Is it Stepping-Roll, Steppin-Roll or Step-N-Roll .. These are the kind of decisions I am not very good at making. Tons more images after the jump

KEEP KEEP KEEP DANCING DANCING DANCING

Greetings dear Readers. It has been far too long since I have last posted here. If you have been with me since the beginning then you are well aware that I do have these long breaks between posts. This site is not really a bloggers site, in the blogger sense of blogging daily, but rather an artist's site that starts and stops and starts again with a regular irregularity.

bill shannon whatiswhat intaglio disability performance art crutchmaster

ABOVE: "Keep Dancing" Intaglio Ink Print on Archival Paper 8x10 2012

The Dance is in Your Body Not in your Crutches

bill shannon whatiswhat.com artist

ABOVE: "In-Saddle Float" performed Traveling ( as oppposed to single position circular ) from The Shannon Technique

I am posting up this image of me performing an In-Saddle-Float on single point crutches to make the point that my dancing came from within my heart and spiritual connection to music and the "urbanity" of my form prior to attaining and evolving the rocker bottom crutch design.So many kind people have written to me about how they want to dance on crutches but need to find a rockerbottom set to get started. My response is just start moving.

EYE of THE BEHOLDER

ABOVE: Here is a quick video of a wearable mobile video prop I made from screen scraps, baling wire, electrical tape, a micro projector and a microcamera. I made this prop to test the viability of a more fleshed out method of fabricating a lighter weight version of my "Invisible Series" that is meant to function in a more mobile-esque manner. Thanks to James Clotfelter on the fabrication assist and Ravish Momin drum sounds.

BELOW: detail of headmount and microcamera

bill shannon whatiswhat.com artist

bill shannon whatiswhat.com artist

ABOVE: more fabrication details, lots of black gaff to hide any reflections

bill shannon whatiswhat.com artist

ABOVE: Video Still

Unique Security Requirements

bill shannon, whatiswhat, disability politics

ABOVE: BLOWFISH STRATEGY. In my world of phenomenology and identification of sociological dynamics in public space the development of performed "strategies" as tools to unlock disable or otherwise transform the implications on my life of a given phenomena are important. The BLOWFISH STRATEGY is part of my engagement with the almost constant phenomena of AMBIGUITY OF DISABILITY. In other words...

eliminating the divide between my audience and my street practice

See video

ABOVE: Video Documentation of TRAFFIC from my trilogy of street works that are designed to preserve the authenticity of my interactions with pedestrians, crowds and traffic in the street.  The " ticketed" audience rides along for direct observation of me in the street as I work with whatever situation comes along, be it kinetic sociological or stylistic. Chicago Trib review and more after the jump

thisiswhatiswhat

Illustrated Note on "The Condition Arriving" Phenomena

THISISWHATISWHAT

BILL SHANNON, WHATISWHAT, PHENOMENOLOGICAL PERFORMANCE ART

ABOVE: original notebook scan. Illustrated Notes on Cultural Phenomenology; The Condition Arriving and notions of invisibility within its context. I have posted this same image in the 2D section of this site but it is cleaned up of all the writing.

Traffic Excerpts Chicago

ABOVE: an excerpt from Traffic: Chicago. "my left foot" means for the bus to speed up..

This text about Traffic I have cut and pasted from a grant proposal and modified slightly -after the jump-

THISISWHATIS "Traffic"

This is WHATISWHAT Urban Performance Art

 

bill shannon 2011 performance art whatiswhat what is what

ABOVE: Working on some new stuff in a studio before taking it to the world..here is a still. The grey tubes are super light weight foam recycled from thrown out materials in Brooklyn. I like the antlike relativity of scale that the large bundle places my body in. Taking it out of the street context to share it in this studio theater backdrop isolates the design of the character. Variations after the jump.

Photos: Brian Cummings 2011

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