BELOW: playing in the studio in the run up to the opening
"Little Friends" - Bill Shannon 2013 12guage brass plate w/patina cut and formed 3"x2"
This post is intended to be a roundup of recent activities and not the final word on any of the works here.
ABOVE: "Liquid Light" Site Specific Video and Performance at Long Pond, Wellfleet MA presented as a part of Fleetmoves Dance Festival 2013. photo by Whitney Brown. This work focused on the kinetic nature of the video rig and its placement in a large body of water to allow for a live birdseye view of my continuous circuitous performance in the water for the camera above. I wanted to show and perform the fluidity of my many years of swimming to the audience on the shore. The only sport of my childhood years that was medically approved. "Dancer in Chair" and new street persona after the jump.
ABOVE: Here is a quick video of a wearable mobile video prop I made from screen scraps, baling wire, electrical tape, a micro projector and a microcamera. I made this prop to test the viability of a more fleshed out method of fabricating a lighter weight version of my "Invisible Series" that is meant to function in a more mobile-esque manner. Thanks to James Clotfelter on the fabrication assist and Ravish Momin drum sounds.
ABOVE: I know I have posted several versions of this video work however I am preparing a new shoot and am editing it in different ways to try and figure out the best strategy for the live shoot. Some lighting issues and the slight jiggle of the rig are two problems that will be solved in the next version of this series ( as opposed to the next edit of the existing series) Hang on to the end for some extras and B-Roll stuff.
ABOVE: BENCH Alternate Edit
spatiotemporality is a solo exhibit by Bill Shannon at DNA galleries featuring two video installation works, (clik thru for vids ) "Bench" a three channel six camera composited in the round street capture and "The Evolution of William Foster Shannon" a 20 Screen video wall documenting and mixing the diversity of performance and video projects over the past 20 years. The works are on display thru June 18th daily from 10am to 8pm 53 Chambers st.
I am very excited about the new content. Still editing the video to get the right look and choice speeds. using Adobe AfterEffects to enhance my Final Cut.. a world of difference. This image is a good indication of the fractured multi-angle reimagination of the dance that the work inhabits. its a shape shifting as if looking through a prism reimagination of the body. editing the Crik footy now. thanks to Douz and Mille and DNA