ABOVE: Custom Skateboard Paintjob @ Parade Starting Point /Photo by THOS
NYC DANCE PARADE 2012 was a fun and exhausting affair. I danced every block two or three times using my skateboard to exhibit my Step-N-Roll Flavor. I cannot really decide on how to title the form. Is it Stepping-Roll, Steppin-Roll or Step-N-Roll .. These are the kind of decisions I am not very good at making. Tons more images after the jump
Come and see the Parade. I will be rocking my Stepping Roll Flavor on the board with the crutches.. and waving stiffly while wearing White Gloves ; )
ABOVE: Dance Parade Promo Video
Greetings dear Readers. It has been far too long since I have last posted here. If you have been with me since the beginning then you are well aware that I do have these long breaks between posts. This site is not really a bloggers site, in the blogger sense of blogging daily, but rather an artist's site that starts and stops and starts again with a regular irregularity.
ABOVE: "Keep Dancing" Intaglio Ink Print on Archival Paper 8x10 2012
ABOVE: "In-Saddle Float" performed Traveling ( as oppposed to single position circular ) from The Shannon Technique
I am posting up this image of me performing an In-Saddle-Float on single point crutches to make the point that my dancing came from within my heart and spiritual connection to music and the "urbanity" of my form prior to attaining and evolving the rocker bottom crutch design.So many kind people have written to me about how they want to dance on crutches but need to find a rockerbottom set to get started. My response is just start moving.
ABOVE: Here is a quick video of a wearable mobile video prop I made from screen scraps, baling wire, electrical tape, a micro projector and a microcamera. I made this prop to test the viability of a more fleshed out method of fabricating a lighter weight version of my "Invisible Series" that is meant to function in a more mobile-esque manner. Thanks to James Clotfelter on the fabrication assist and Ravish Momin drum sounds.
BELOW: detail of headmount and microcamera
ABOVE: more fabrication details, lots of black gaff to hide any reflections
ABOVE: Video Still
ABOVE: BLOWFISH STRATEGY. In my world of phenomenology and identification of sociological dynamics in public space the development of performed "strategies" as tools to unlock disable or otherwise transform the implications on my life of a given phenomena are important. The BLOWFISH STRATEGY is part of my engagement with the almost constant phenomena of AMBIGUITY OF DISABILITY. In other words...
ABOVE: Video Documentation of TRAFFIC from my trilogy of street works that are designed to preserve the authenticity of my interactions with pedestrians, crowds and traffic in the street. The " ticketed" audience rides along for direct observation of me in the street as I work with whatever situation comes along, be it kinetic sociological or stylistic. Chicago Trib review and more after the jump
ABOVE: an excerpt from Traffic: Chicago. "my left foot" means for the bus to speed up..
This text about Traffic I have cut and pasted from a grant proposal and modified slightly -after the jump-
ABOVE: Working on some new stuff in a studio before taking it to the world..here is a still. The grey tubes are super light weight foam recycled from thrown out materials in Brooklyn. I like the antlike relativity of scale that the large bundle places my body in. Taking it out of the street context to share it in this studio theater backdrop isolates the design of the character. Variations after the jump.
Photos: Brian Cummings 2011