My plate is full this year with multiple ongoing projects. The Rex "project" mentioned below several months ago has stabilized after 6 months of staggeringly little sleep ( or awake-ness ) and I am happy to share with you that the Rexy continues to payoff in a myriad of very small beautiful ways and I am BACK!
ABOVE: Painted Skateboard Griptape Graphics To Communicate medical usage of Crutches with a Skateboard To Complete Strangers. The graphics emulate existing color and symbols in public space for safety boundaries and disabled people. I also added the Red Cross with MED written inside it to further reinforce the message. Normally graphics are painted on the bottom of the board and the tops are black griptape. Communicating through symbols from the top of the board is a very useful way to answer questions without them being asked.
ABOVE: BLOWFISH STRATEGY. In my world of phenomenology and identification of sociological dynamics in public space the development of performed "strategies" as tools to unlock disable or otherwise transform the implications on my life of a given phenomena are important. The BLOWFISH STRATEGY is part of my engagement with the almost constant phenomena of AMBIGUITY OF DISABILITY. In other words...
A significant portion of my work is about phenomenological events i bear witness to and am also highly sensitive to. The use of performance art as a real-time anthropological sociological tool to investigate define and categorize phenomena is at the core of this healing practice. My interactions with pedestrians and random individuals in public space is constantly evolving and changing over the course of time and my increased level of experience. This reality of being in public is a balancing act between getting on with my life and exploring new territories of my art. They serve each other and are therefore one and the same in many instances.
ABOVE: Shannon Technique, Hi-Mid Lo-Mid Split Photo: Dawn Blackman