My plate is full this year with multiple ongoing projects. The Rex "project" mentioned below several months ago has stabilized after 6 months of staggeringly little sleep ( or awake-ness ) and I am happy to share with you that the Rexy continues to payoff in a myriad of very small beautiful ways and I am BACK!
ABOVE: Custom Skateboard Paintjob @ Parade Starting Point /Photo by THOS
NYC DANCE PARADE 2012 was a fun and exhausting affair. I danced every block two or three times using my skateboard to exhibit my Step-N-Roll Flavor. I cannot really decide on how to title the form. Is it Stepping-Roll, Steppin-Roll or Step-N-Roll .. These are the kind of decisions I am not very good at making. Tons more images after the jump
Come and see the Parade. I will be rocking my Stepping Roll Flavor on the board with the crutches.. and waving stiffly while wearing White Gloves ; )
ABOVE: Dance Parade Promo Video
ABOVE: The crowded floor of Sullivan Room opens up just enough for me to squeeze in a few choice steps but the powder on the floor makes the crutch tips slide around so much that I would lose control. For those of you following my blog you may remember a previous post about Juste Debout France plastic floor with seams.
There will always be those select house dancers that love to throw down their powder and get their groove on, slipping and sliding around with an extra touch of smoothness coming from the baby powder dusted floor surface. While recently out on the town in NYC I went to hear the amazingly talented Ian Friday spin at Sullivan Room as part of the long running Thursday Night Global Soul Dance Party, Libations. While hanging out warming up and just enjoying the music I felt the amount of powder on the floor was making it a bit dangerous for me to do anything beyond the most conservative two step. In the pictoral sequence after the jump you will see my solution to this powder floor problem as taken from ramp skaters who mopped their entire ramps with a coke/water mix to get the masonite dust out of their kinetic equation. While I too have applied the same idea to entire stages when too dusty for a show a club is a bit different in that you might get kicked out if you are caught dousing the floor in Jack and Cokes. Thus for clubs I switch out mopping the entire dance floor with a coke/water mix to making a small area of the floor my tip and shoe sticky zone by pouring the liquid onto a napkin in an out of the way location that doesnt get cleaned up too quickly.
ABOVE: Dance Delight Magazine Cover Shot 1999 This came out right when I was first hitting New York hip-hop and jungle clubs. Basically I went wherever the circle was alive. Eventually I discovered how crazy the Club Shelter Circles were under Robbie Promoter with Timmy and many other stellar house Dj's. Up until Shelter I was never that much into house music but progressive vocal house was a whole new world. So danceable and Funky.
click thru for the interview
ABOVE: interview in Japanese
ABOVE: Video Documentation of TRAFFIC from my trilogy of street works that are designed to preserve the authenticity of my interactions with pedestrians, crowds and traffic in the street. The " ticketed" audience rides along for direct observation of me in the street as I work with whatever situation comes along, be it kinetic sociological or stylistic. Chicago Trib review and more after the jump
ABOVE: A video laying out the basics of Shannon Technique recorded around 5 years ago. I need to upres this on Vimeo but in the meantime its really all about the content.
Concept: Bill Shannon, Production Bevis Evans-Teush, Camera Dave Burns, Production Assistant Clyde Jones
Special Thanks: Heather Lynch, Leah Lizarondo and Iffith